12/8/2023 0 Comments High resolution shroud of turinIt’s both a surface image, but also an image formed by radiation,’ says Whanger. Whanger built on their findings by examining high-resolution photographs that uncovered new details of the image, as well as using 3D imaging techniques. His interest developed in the late 70s when the Shroud of Turin Research Project (STURP) had a professional team photograph and analyse the relic in detail for the first time. Instead, the image appears to be burned onto the surface of the material itself by a sudden burst of powerful radiation.ĭr Alan Whanger, a retired professor at Duke University, North Carolina, has spent decades researching the shroud. Likewise, chemicals or bodily fluids could never have produced the clarity of the image. Paint would have penetrated the cloth and left residues of pigment, according to Miller. The actual print on the surface of the material is only a few microns thick. Yet the nature of the image on the shroud seems to defy such explanations. Or maybe it is the imprint left by a decomposing body. Or perhaps it was created by some inventive use of sunlight or chemicals. It could have been produced by paint that simply faded over time to leave the sepia-like image. Those who say the shroud is a medieval forgery give a variety of explanations for the image on the cloth. Miller now regularly presents seminars on the evidence for the shroud being the burial cloth of Christ, and he believes it also provides evidence of Christ rising: ‘I realised, as a physicist, that this is really like a videotape of the resurrection.’īut what does a videotape of the resurrection look like? ‘I remember praying and saying: “God, if Christianity is true, you have to show me.” That put me on a long journey and the shroud was near the end of that journey.’ Far from being an item of interest only to Catholics and conspiracy theorists, he told me of a growing number of Protestant Christian scholars who take the credentials of the ancient cloth seriously. It was only when I met Brian Miller, an American physicist turned evangelist, that I discovered there was more to the story of the shroud than I had realised. In any case, hadn’t the whole thing been disproved in the 1980s as a medieval forgery? However, I had always considered the shroud to be a rather esoteric object, probably of interest only to superstitious devotees. However, only in recent years have scientists and researchers started to understand the true nature of the faint image.Īs a journalist and apologist I have long been interested in pursuing evidence for the truth of Christianity. Shroud research even has its own name, sindonology (from ‘sindon’, the Greek word in Mark’s Gospel used to describe Christ’s burial cloth). Since then, the four-by-one-metre piece of cloth has become the most scientifically tested object in history. Pilgrims started flocking to see the unusual artifact. It first came to truly global attention in 1898, when photographer Secondo Pia produced a negative black and white image of it, and suddenly the shape and features of the crucified man on the cloth leapt out for the whole world to see. The cloth takes its name from the Cathedral of St John the Baptist in Turin, Italy, where it has been housed for more than 300 years. The material acquired its black marks and diamond-shaped holes when molten silver from the box that housed the folded cloth was dropped onto it before the fire was extinguished. In 1532, it was almost destroyed when an arsonist tried to burn down the chapel in Chambery, France, where it was being kept. The first mention of the shroud appears in the 1300s. The history of the shroud could almost come from the pages of a Dan Brown novel. Others view it as a medieval hoax that continues to fool gullible people today. For many Christians it constitutes nothing less than the burial cloth that covered Jesus in the garden tomb of Jerusalem. The long strip of linen cloth known as the Turin Shroud, which bears the faint image of a crucified and beaten man, has been an enigma and an object of reverence for centuries.
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